Audience Network brand development
Works
- 2011
- Brand, identity, etc.
- DirecTV
- The Audience Network on-air identity
We didn’t win this one. In the wake of J&W’s repackaging of Comedy Central, DirecTV asked them to have a look at their existing Channel 101, which they planned to turn into an original content platform, having just bought the rights to produce seasons 4 and 5 of Damages. The relaunched channel would serve as the home of Damages and also feature reruns of well-respected series such as The Wire, and programming from Australia and Canada.
Illustrations
Pitch film
An audience, after all, is only a group of people until a show starts. Seeing a play or movie at a theater is quite a different experience from watching television alone. Since most of their programming consisted of smaller-share offerings with devoted fan bases, we developed a campaign with a strong social component, hoping to re-create the communal experience of the theater using Twitter, Facebook, and other platforms. Show promos would feature Twitter hashtags: since people were already talking about these programs, providing unified hashtags would give audience members a way to find each other.
Visual language was sophisticated but aimed mostly to frame content (as we had done previously with Comedy Central) within a simple rhetorical device, based on a three-word construction: “Watch. Listen. React.” And “react” could be any verb appropriate to a given program: seethe, wince, howl, and so on.
Colophon
Composed in Gotham and Baskerville 10
- Agency
- Johnson+Wolverton
- Creative directors
- Alicia Johnson
- Hal Wolverton
- Art directors
- Adam McIsaac
- Patrik Bolecek
- Kiffer Keegan
- Copywriters
- Kyle Barron-Cohen
- Adam McIsaac
- Alicia Johnson
- Cinematography
- Peter Jennings
- Patrik Bolecek
- Hal Wolverton
- Editors
- Neil J. Gust
- Eron Otcasek
- Roberto Serrini
- Animators
- Kiffer Keegan
- Daniel Pernikoff
- Sound design
- Joe Johnson
- Producer
- Allison Pickard